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Rock and​/​or Roll

by Gavin Elder

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2014anthonywalker
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2014anthonywalker I've listened to this music for many years. It is part of my mental landscape.
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1.
Hum 05:12
She's got a circuit in her blood that makes her body hum Sanguine rivers flow down the curves of her tongue Razor sharp, mind meld, tooth shaped, bite wound Now now now Oh, I want you now, I want you Right now now Pin me down, if I let you Take my pulse Does it mean you'll show me through the Stained-glass doors (Open a vein) In the center of her mouth, where the life comes in Lovely center of her mouth, open mouthed, her teeth (Burgundy stain) Are window panes framed red, how can she eat the hearts of men? she's a vegetarian... Red drops are not an elixir for me But given some time, I could be made to believe I'm not dying to become undead It would be nice for a while to live forever "When we can say goodnight and stay together" It would be nice for a while to live forever "You know it's gonna make it that much better"
2.
Holes 06:14
The picture stutters out of sync with the sound Colors on the wall start to mingle around A yellow birthday cake, five candles of blue Lead marks on the wall show how much I grew What was it you told me? Five is such a big age to be Will I still want a birthday party when I turn thirty-three The are parts of a whole These are windows captured on rolls Of celluloid It's not so easy, boy To be full of holes Burn out to white, load another reel Searching for more casualties to reveal Matted shocks of hair on a dog that won’t play The beast friend of a boy falls apart in three days What was it you taught me about responsibility? Can I throw the ball far enough that he won’t come back to me? A sudden flare of the lens, I’ve lost clarity Incandescence lends obscurity This could be anybody’s life on display Mixing Technicolor from a palette of grey Even Ludovico could see that I can’t take any more Can I use the sticks in my eyes to prop me up off the floor?
3.
Subject 99 05:14
Discovered by some scientists living on an island near Peru Experiments with monkeys, they taught one monk to wash his food Some others imitated, they picked right up on what to do ‘Til 98 was greeted, by one who’ll finally change the rules Caught herself washing apples Unaware of her own designs Soon hundreds emulate it Make way for monkey 99 The rest need not see to fall in line Is there some sense of the divine? All hail this monkey 99 A man sits out one sunny day beside a Mexican café Observes the teeming masses, exquisite dances happen He leans back with his eyes closed, into an angle of repose, And through the seams he sees how these cars and roads and empires came to be When I’m stuck inside this Grand network of our lifetimes Til others like him follow We wait for subject 99 Just like the prophets of our time Is there some sense of the divine? We wait for subject 99 I will walk, I will think, I will wake the other nine-tenths Of my brain from below, I will catch the falling snow On my tongue I will taste the sour and the bitter And when the sweet morning comes, I will learn, I will love We wait for subject 99 Just like the prophets of our time Is there some sense of the divine? We wait for subject 99
4.
Slow Boat 06:03
I press snooze a few times on the alarm clock I rise out of sleep like a ship through the locks At the first sounding call I'm still deep and sublime With the second and third I surface a little more each time It's a bit early for yesterday's ghost I'll just wade around in the fog off the coast Minute after minute flow swiftly away Surely the clock wasn't moving so fast yesterday Finally captain myself into motion Turn on the spray, cut through the commotion I push the door and watch the steam clear As the warmth of the watery womb disappears Tug an old t-shirt over my head Til I see it's the one I wore last night to bed So I pull it back off, let it fall to the floor, Fish out a clean, faded red one from the bottom drawer Sweet emptiness Standing alone, halfway dressed Emptiness suite Picture-less frames hung around me Tend to the tetras, make sure they have food Laugh at them swimming around in the nude Hook through the key ring and head out the door Cruise down Canal and get lost in the roar Desperate faces of those run aground Waves upon waves of these strangers all spiral around The funneling walls of the whirlpool surround Waves upon waves of these strangers all spiral around
5.
It's the story of Alice Ann And how she met her grisly end Ashes and dust have taken up residency Where her heart should beat True love daydreams and ballgown fantasies Never came true, this Cinderella had turned to blue She had become a pro cigarette smoker Took her life into her nicotine-stained hands Pots and pans are flying off the handle of this Screaming roman candle Grab your babies, run for cover 'Cause it's the war of Alice Ann Fighting for salvation She's a dying conversation On a telephone that's off the hook It's the glory of Alice Ann Steely blade in her sweaty hand Over her monthly drag, she caught it by the throat, put it in the bag Out the window, this defenestrated cycles plunges through the deep And chalk don't work in the sea Was the story of Alice Ann And how she met her grisly end Ashes and dust have taken up residency Where her heart should be True love daydreams and ballgown fantasies Never came true And now it's the war of Alice Ann Fighting for salvation She's a dying conversation On a telephone that's off the hook
6.
Last night in Calais I met the doctor With powdered bulbs for healing wounds Must have been a strong concoction What once were legs, replaced by snakes I staggered in to the bedroom Black velvet curtains hung their heads "Do you want a little more?" Mais si tu savais pourtant "Can I offer you some more?" With a drawl, the words are slowly spoken And leave me shaking in my seat He said I was under for an hour But I've aged several days Rusted cigarettes and leaves Invoke the sounds from carbon trees Poison smiles on rubber faces Drain my heavy chocolate veins Sudden came the bleached-out morning Skeletal birds in a burning sky Cobbled stones beneath my leather Chasing lines along the way I staggered in to the bedroom Black velvet curtains hung their heads
7.
My Big Head 04:13
I thought so much I stretched my brain, Now we can all take cover in the pouring rain under my big head Hypothesized now prosthelysized Is my body on straight? Does it match the eyes on my big head? The ever-growing hemispheres are Running out of room in here Now I'm lucky if I keep her up No body ever knew my name til they Saw the locks of the giant mane on my big head Front cover of a fashion magazine Now they all wanna look the same as my big head Away away away, I'm gonna float away Hoist the anchor and drop the ballast And meet me in the space out there And soon the news will say "If we grow a little more each day, We'll need our own ZIP codes and ground controls And shopping malls with Big and Talls" No body ever knew my name til they Climbed the stalks of the giant mane on my big head Now the traffic looks like rice and grains, so I Tip my big hat to the passing planes by my big head We're filling up the skies like fireflies Dot the hillsides in the summertime Now photosynthesis is done One by one we block out the sun with our big heads The world's together under sentient skies We've obliterated all truth and lies under our big heads Away away away We're all gonna float away With our big heads
8.
Grean Devil 05:23
Waves upon waves Of insatiable flames Split the air from the inside While streaking their way through the sky And they’re all I can see And they glow brilliantly The black night is cloaked in an emerald grean devil Mustache stiffly waxed, silver watch in his pocket A quiver of stars rests inside his eyelids and blinks Languidly coaxes the prose from a poet Navigates horsehair through channels of color Turns life into tones which ring out in the keys of the teeth You can see his influence in all the great works of man Who knows what alkaloids lurk in the dense mundungus? A pipe splits the smile of the emerald grean devil Crooked and knotted, yet lacquered and polished The blaze when he draws leaves the witnesses glareblind and mute Drenched in the finest perfumes from his chemist, Double-edged s-words house him in their corners Astral processions, he charts with chrome sextants and tea Can a blood-and-guts man gaze into the smoke rings and live to tell? Or will he be banished forever to the antediluvian palace that we call the sea Result or reason, madness or genius Looks like the man in the Gabardine suit is a spy Man plans, the devil laughs All aces and eights in a roomful of straights So kill the conductor and strike down the band The revolution's composed with the slight of his hand
9.
Next time around, I don't wanna be a man I wanna be a jellyfish i wanna be a jellyfish Yeah when I come back, I don't wanna be a man I wanna be a jellyfish I wanna be a jellyfish I wanna hear it again I wanna hear it again Cuz last time around I couldn't stand the sound of Elevators countin' off the up and down Impatiently, I climb Somebody open the door I been up all night by the light of the moth Gotta dig a hole, crawl in, and fill it up with dirt I kinda think it's the end You just know the people all would say that Something new begins Well I take my growth with a splash of gin I'm heading out the door The tape's unwound, I wouldn't play it anyway Maybe I should've paid more attention Turned my head around, around Next time around, I don't wanna be a man I wanna be a razor blade I wanna be a razor blade Yeah when I come back, I don't wanna be a man I wanna be a razor blade I wanna be a razor blade I wanna be a rabbit I wanna be a rabbit The kind that you fed to me The kind that you said to me Had escaped the gate Left open too late Why did you leave the gate open again? Bunner got out and was never seen again Sure looks like bunner lying on my plate I guess I'm not the only one who's skinned alive todaaaay I wanna be a rabbit

about

Rock and/or Roll conjures unexpected scenes and typically untapped emotions, taking listeners to a planet that at once feels familiar and bizarre. The album was recorded in Nashville in just 11 days, with Elder playing all instruments except drums, overdubbing parts atop each other until the sonic collage is complete. Producers Ken Coomer (Wilco, Uncle Tupelo) and Charlie Brocco (Jeff Lynne, Talking Heads) both added to the synergy of the album, helping to sculpt the songs into more polished forms.

credits

released April 1, 2005

Gavin Elder: everything except:
Ken Coomer: drums
Sonic Fedora: horns
Jim Hoke: clarinet
Elvin Jones: dog bowl

Charlie Brocco: engineer

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Gavin Elder Baltimore, Maryland

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